A Short History of Bagua Zhang
Although there is no agreement among historians and authorities on the subject as
to the origin of Bagua Zhang, there is general consensus of Martial Activity in
the Wudang Mountains from about the year 2600 B.C. onward. The Early Heaven (Hsien Tien)
Diagram used to represent the Art of Bagua Zhang, consisting
of a number of solid and broken lines, rounding a circle in groups of three is itself
derived from the I-Ching or 'Book of Changes' believed to be some 5,000 years old,
and whose writing is credited to the Legendary Yellow Emperor Fu Hsi.
Originally a book of divination and later a manual for interpreting the order of
all things in life, the I-Ching, one of the Five Classics of Confucianism, also
promoted correct living, morality, and the harmonious understanding of man's place
in the Universe; all concepts generally taught and practiced by practitioners of
Bagua Zhang.
The central figure in the history of Bagua Zhang is Tung Hai-Chuan, (1798-1879),
who is widely credited with the creation of Pakua, or at the very least, its standardization
and dissemination through his two principal students, Yin Fu, and Cheng Ting-Hua.
Tung Hai-Chuan, throughout his lifetime, always refused to discuss the origins or
history of Bagua Zhang, and claimed to have learned his art from a mountain Taoist
in Kiangsu Province. His reticense in disclosing information about his art or himself
is not unlike that of Chinese Boxing Masters in the U.S. during the 1960's who chose
to maintain anonymity possibly due to immigration problems or to a notorious past
history.
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